Luc Tuymans is a
contemporary Belgian figurative painter known for his works focusing
on the decay of an image as it is communicated, translated, and
reinterpreted. He was born in 1958 in Mortsel, Belgium. From 1976 to
1982, Tuymans attended multiple schools where he studied fine art and
painting. He attended Sint-Lukasinstituut,
the Ecole Nationale Supérieure des Arts Visuels de la Cambre, and
the Koninklijke Academie voor Schone Kunsten Antwerpen. In 1982,
Tuymans brought a halt to his painting and studied art history at the
Vrije Universiteit and pursued his interest in film. 1985, Tuymans
returned to painting and exhibited his work in an emptied swimming
pool of the Palais des Thermes, Ostend.
Since
his first exhibit, Tuymans has risen to prominence and become a key
artist in the revival of modern painting. He now lives and works in
Antwerp, Belgium where he paints and curates.
Me, Luc Tuymans, Oil on canvas. 43 1/2 x 53 5/8 ", 2011.
Tuymans works from found
photographs and video stills often relating to Belgium's history,
WWII, the congo, 9/11, Disney, and the corporate world. He claims
that violence is the only recurring theme throughout his work. His
paintings are easily recognizable for the pale and reduced color
scheme he utilizes. Tuymans says that “tones much more than color
influence how you memorize imagery. A painting has a different time
span and physicality than reality. By making a memory more physical
we make it more inadequate.” Tuymans believes it is important that
each work stands out by itself but also works together. He typically
paints light to dark.
Der diagnostische Blick V (The diagnostic view V), Luc Tuymans, Oil on Canvas, 22 7/8 x 16 1/2 " 1992
Days after I came across
Tuymans paintings, the images were still returning to my mind because
of their unhealthy coloration, subtle sense of despair, and ambiguous
context. It was interesting to acquaint myself with works that were
similar to what I have currently been creating without referencing it
prior. I painted intensely cropped portraiture with washed out colors
early in the summer and now coming to find Tuymans's perfected
version of the style is deeply inspiring and motivating. I am
currently split between working from pictures and working from live
subjects. Each has its ups and downs. I do not wish to paint from
historic subjects unless they become relevant to the present
situation or could enhance the conveyance of a contemporary idea.
Diagnostische Blick IV, Luc Tuymans, Oil on Canvas, 22 1/2 x 15 ", 1992



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