Tuesday, July 9, 2013

ERIC FISCHL

Eric Fischl is an American painter, sculptor, and print-maker, though he is best known for his narrative paintings. He was born in 1948 in New York City and grew up on Long Island. His family moved to Phoenix, Arizona in 1967 where he studied art at Phoenix University and completed his Bachelor of Fine Arts at the California Institute for the Arts. Fischl decided to pursue art when he discovered how painting was an integral part of himself. He repeatedly heard that painting was dead, so he rebelled. After moving to Nova Scotia and teaching painting at the Nova Scotia College of Art and Design, Fischl moved back to New York City where he had his first solo show in 1979.

Bad BoyEric Fischl, Oil on Canvas, 66 x 96 ”,1981

Most of Fischl's paintings are narratives focusing on contemporary American culture in a darkly comedic way.Fischl is Influenced by the expressive nature of San Francisco painters such as Richard Diebenkorn, Dave Parks, and Elmer Bischoff. Fischl largely is a proponent of the convergence of art and science and was once part of a group of artists and scientists that would discuss how art, science, and human nature intertwine and react. Fischl describes his process as working backwards from high-end technology to create a more primitive result. He photographs a scene, alters the image in Photoshop, and then proceeds to produce a painting from the altered image. His narratives often depict their subjects paused in a poignant moment portraying the more timeless qualities of themselves. Viewers are able to imagine the subjects' past and future to encapsulate the described moment in the way of a story.


Dog Days (Diptych), Eric Fischl, Oil on Canvas, 84 x 168 ",1983 

I am intrigued by Fischl's subject matter and outlook on painting. I am not as much interested by his process of manipulating images in Photoshop because that makes painting less of an intuitive response to the subject and more of a formulated response to my ideas. His critical yet playful look at society is far from arrogant and inserts himself in the hidden mania of our culture.

                                 The Bed, The Chair, The Sitter, Eric Fischl, Oil on Canvas 73 x 93 ", 1999

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