Peter
Dreher is a German realist painter born in Mannheim, Germany in 1935.
At an early age, Dreher desired to be an artist and began drawing.
Later he moved to painting as a freedom from the turmoil in his
homeland and household during World War II. Dreher was formally
trained as an artist at the Staatliche
Akademie der Bildenden Künste Karlsruhe.
Tag um Tag Guter Tag #1364, Peter Dreher, Oil on Canvas, 8 x 10 ”, 1997
Dreher's
paintings have consistently been still lifes of common objects.
Dreher's process is cathartic and spiritual because he strives to
paint the unfamiliar in the familiar through realism. Unlike many of
his contemporaries, Dreher paints to paint. Dreher's most epic piece,
Tag
um Tag guter Tag
is a series of paintings of more than 4,000 paintings of the same
simple water glass. He has painted the same glass every day since
1974. Through this series Dreher challenges himself to paint
objectively and his viewers to see objectively. Dreher is heavily
influenced by Zen Buddhism.
Tag um Tag Guter Tag II #1946, Peter Dreher, Oil on Canvas, 8 x 10 ”, 2006
I
was not initially fascinated by Dreher's works. I thought they were
good, but far from my style and interest. After researching Dreher
and better understanding his ideology of painting and the themes of
his work, I am fascinated by he and his art. I relate to his feelings
on painting. Dreher describes an addiction to spread paint across a
surface to explore something. I feel a similar tension between myself
and the act of painting. The decision to paint does not always come
as a choice. I need a strict process and schedule to add to my work
to make it successful and to transform my urge into a sanctum.
Tag
um Tag Guter Tag #2016,
Peter Dreher, Oil on Canvas, 8 x 10 ”, 1997
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